Abrasive, intense and darkly humorous, Assassination Nation has something to say and it will clobber you over the head until you join the resistance.
All in Movies
Abrasive, intense and darkly humorous, Assassination Nation has something to say and it will clobber you over the head until you join the resistance.
Ooh boy do we have thoughts on this. Is it art? Is it masturbation? Is it pretentious? Does that matter?
Darkly cool and effortlessly thrilling, Cold Hell should be on your watch list.
Maddening, confounding, amazing and exciting; Suspiria is divisive. Let’s try to unpack it.
A fun, brisk Christmas horror anthology to get you in the holiday (mean) spirits.
I wish I had a time machine, so I could go back and slap this DVD from my hands. I know that would cause a temporal anomaly and probably destroy the universe, but honestly it’d be worth it.
Tyler must decide if his father is a BTK style serial killer or if it’s just monkey stuff in IFC Midnight’s taut thriller The Clovehitch Killer.
It’s a zombie movie. A Christmas movie. A comedy. A musical. And it’s something magical.
Tigers Are Not Afraid is an intense examination of an under-discussed consequence of the gang war violence in Mexico. It’s a fierce and staggering film that demands to be seen.
A demonic possession that focuses on the victim, instead of the male priest performing the exorcism, Welcome to Mercy is an interesting take on a tired genre.
The Dark is a very fitting (if kind of plain) title for a movie about a kidnapped and traumatized boy and a undead girl who find each other when they need it the most.
Cam is an unsettling, sex-positive thriller about a doppelganger that takes over the livelihood of a camgirl on the rise.
What happens when you find out that you might have just murdered an entire camp of counselors?
Small time crooks + time travel = hilarity in this New Zealand based heist film.
Open 24 Hours is a no frills slasher, mixed with a protagonist suffering from PTSD and mental illness after she set her boyfriend on fire. As you do.
I love seeing other cultures’ takes on what we consider familiar stories. In the case of Satan’s Slaves, we have an Indonesian take on your classic ghost story. Creeky doors, moving objects, ringing bells, camera trickery. It’s all here. But what separates this from the traditional ghost stories the Western audience might be used to is local flavor. Each culture has their own demons and their own interpretations of the afterlife or the supernatural. And I find it interesting to see how they are similar and different from the movies I’m used to seeing.