[Pride 2019] Injecting Queer Femme Rage into "Audition"
Viewed from a male gaze, Asami Yamazaki from Takashi Miike’s Audition is a truly terrifying horror: a seemingly perfect woman who mysteriously tortures the man who wants to marry her. But let’s saw away the male gaze and recognize the true villain of the film: the heterosexual patriarchy which demands these “perfect” women, and expect them to appear for the consumption of men at will.
The plot of Audition is a simple one: Widower Shigeharu Aoyama is in need of a new wife. Encouraged by his teenaged son and film producer friend, an audition is organized to locate the perfect one. The women are not told they are not auditioning for a movie, but their references are checked, anyway.
The fantastic thing about being queer and femme is that you exist for and to fill a role that cis men expect. Your romantic moments with femme partners must be to their specifications for voyeuristic enjoyment. You must be available to and open to threesomes. Fulfilling traditionally female roles is expected as a baseline, and any other aspects must be in addition to and not compete with their expectations of you. Audition is not about queer femme identity per se, but the monster in this movie takes on new meaning when that’s your place in the world.
By far the most affecting scene in the film is not one of abject torture: instead it portrays Asami, our perfect woman, waiting patiently for her new beau to call her. The timing is unclear in the film, but Wikipedia helpfully lets us know she has been sitting for four days in a room completely empty but for the phone and a sometimes shifting, deviously lumpy bag.
Asami has no life beyond her partner’s affection for her, but even in that, she is not demanding of their time nor does she complain about neglect. Available for them whenever they desire, and without emotional or social requirements, this is the girlfriend every het guy expects when he doesn’t text for 2 days, but hits you with the ever tantalizing “you up?” just when you forgot they existed. She does request they love only her and takes matters into her own hands when they fail, but bitches are soooo obsessive.
Does it piss me off? Yes. Is it satisfying to finally see a literal translation of what cishetmen expect from women they date? It is so, so good.
You see very little of the most torturous parts of the penultimate, infamous scene: penetration instead plays out in the reactions of Asami’s victim. Even as Asami takes action we cannot shake the gaze as male. As a torturer goes, Asami remains true to her expected feminine training to the end. Intent on keeping a clean house, she covers the white carpet and does not stain her perfectly pressed and presumably carefully selected white dress.
There is likely some subtext to the leather apron and the torturing taking place in a cozy domestic setting, but sometimes you instead have to focus on a ladies’ excellent wire sawing technique. Femmes are so versatile! I hope you enjoy rewatching Audition as a literal interpretation of heterosexual dating.
I’ll just be waiting for you to call to hear all about it. Don’t mind the bag, it will quiet down soon.
Josephine is a writer and author living above a noodle shop in Chicago, IL. She wishes there was less fodder for horror these days.
You should follow her on Twitter.
THIS IS THE FINAL WEEK
PLEASE CONSIDER DONATING TODAY
Gayly Helpful 2019 comes to an end as I get personal.
In the penultimate article for Gayly Helpful, Zack looks back on Hellbent.
Kaleb takes us on a Lovecraftian journey in his short story The Lighthouse.
Chrystal talks about Halloween and her experiences on Horror, fear and identity.
Today, Glenn talks about the lack of representation growing up and how Fright Night saved his life.
Molly looks at the evolution of the Lesbian Villain throughout cinema.
Joshua examines The Final Girl and discusses one that is also very near and dear to my heart.
Alice “Your Horror Tran” Collins is here to talk about Rocky Horror and Interview with a Vampire!
Today, Josephine discusses a different way of looking at Audition.
Today Brock gives us a spooky story.
Today is a double dose of awesomeness as my good friend Brie Alsbury tackles her fear of horror movies and The Wizard of Oz.
Today Charles A. Bradley AKA Devil Jack has a deliciously creepy short story for you.
Amanda takes us to school and discusses the work of Audre’s Revenge and Monika Estrella Negra.
Jossalyn discusses the queer text of Jennifer’s Body and its importance to them.
Alexander Birrell tackles the question of “Why horror?” in a fantastic article about being a gay filmmaker.
Mary looks at the problematic High Tension in its representation of queerness and queer desire.
Dax opens up about his childhood and about the importance of horror in this raw and powerful article.
JD Stewart want all LGBTQ+ people to know you are unique and to remember four things in life. He’s also creating an interesting project you might want to be a part of.
Paul Le delivers a very personal ode to horror and how it helped him cope in suburban life.
Are you ready for a true queer ghost story? It’s pretty freaky.
Sara Century talks about how Hellraiser II crept into her dreams and how horror can be comforting.
While he jokes that Hannibal made him gay, Brandon examines his sexuality through the lens of Bryan Fuller’s classic television series.
Regi takes us on an important detour to talk about Sailor Moon and its importance in her identity.
Vincent Bec looks at Don Mancini’s queer inclusion in the Child’s Play series, particularly as it relates to the concept of being GenderQueer and non-binary genders.
Joe Lipsett discusses the complicated nature of nudity in horror films from a queer perspective.
Murphy Leigh tackles mutant bodies in the X-Men movies and about the inability for some mutants to pass as humans.
Paulette Pierce has a short story to share with you today. So grab some coffee and huddle up. It’s time to get spooky.
BJ Colangelo discusses her attraction to Jerry Dandridge in Fright Night (1985) as a catalyst for understanding her own sexuality.
Señor Scary (aka Jerry Robredo) gets personal as he discusses what horror meant to him growing up and how he found his voice through horror.

![[Pride 2019] Injecting Queer Femme Rage into "Audition"](https://images.squarespace-cdn.com/content/v1/5b39608d75f9eef54c62c3f0/1560979929151-RVBW26DNCHR5TBXC21BK/audition-1108x0-c-default.jpg)
![[Pride 2019] Shove it Down Their Throats - Why Queer Representation in the Media Matters](https://images.squarespace-cdn.com/content/v1/5b39608d75f9eef54c62c3f0/1559174314440-CBX4DFLCMWIVJGUWLIBO/91ziuphsECL._SY679_.jpg)